Showing posts with label Instrumental. Show all posts
Showing posts with label Instrumental. Show all posts

Monday, August 11, 2014

Japanese Music - Mouse on the Keys (2009)






A while ago I read an article writen by Andreas Fredrik Larsen call "Strategies of authentication in Japanese experimental music". In that article he describe two kind of artist: the first one is the kind of artist that elebarote his music trying to authenticate it from its roots; his music is the result of a tree with a really strong root and the music created from it is a branch in that big tree. Any folk music can be seen with that point of view, but jazz is a really good example.

But something awesome happended with japanese experimental music: when they opened their frontiers during the Meiji era, they start absorbing all the cultures brought by the europeans. All that music was for them just information: no emotional, traditional or any kind of root could be traced, but they started using it for their own creations. And not only music, also a lot of instruments came from europe. The result is the second tipe of artist described in the article: a musician that can make collide atoms-sounds in a way that the first kind of artist can't, creating surprising stuffs: the roots force the first kind of artist to give the atoms-sounds particle a progesion well defined by the tradition. This kind of creation could be call vertical creation: since the roots are there the growing will start in the direction of the light. The second type of artist dont have a vertical direction. They have created in the oposite way: they never had roots to start creating and the direction of the atom-sounds particles are unpredicble. its not vertical... it does not even have a direction.

With this toughts i will put the album An Anxious Objetc created by Mouse on the Keys. its a japanese jazz album and a good example about what i have been saying: its black music played by japanese people but it does not sound like black jazz at all. you can hear the influence of the oriental tones in their music.
They are three and the three of them are great, but drummers always caught my attention and the one of this band is awesome. He gives intensities and create really good atmospheres for the pianos but he can also hit the drums really hard. The keyboardist are also really good and they create really nice tunes with good melodies. From time to time a sax player and a trumpeter appear in the songs, also great musicians.

and now the fucking album

Mouse on the Keys - An Anxious Object


Sunday, August 10, 2014

The Physics House Band - Horizon / Rapture (2013)




Horizon / Rapture is the debut album of the trio Physics House Band, an experimental/progresive band from England. In this instrumental work, the musicians play a mix of FX-heavy guitars riffs, catchy bass lines, and powerful drum kicks wich often leads the group. I also have to mention that both the guitar and bass players are in charge of playing the synths too, often forcing themselves to play each instrument with only one hand, which can be seen in the video footage of this album (highly recomended, too!)

This album's tracks will get the listener through a series of fast rhythm changes, unexpected melodic turns in every song, and beautifull synth arrangements, setting a particular, clear and defined style all through only six tracks. All in all, a great release (even more for a debut album), that got me hooked up as soon as I listened it. I advise that people into experimental and prog rock give this a listen, since I'm sure almost noone will regret it.

The Physics House Band - Horizon / Rapture Tracklist:

1. ObeliskMonolith - 05:12
2. Abraxical Solapse - 04:19
3. Hollow Mountain - 03:47
4. Teratology - 06:25
5. The Spectral Beyond - 01:32
6. Titan - 03:06

Saturday, August 9, 2014

Brian Eno - Ambient 4 On Land (1982)




This one caught my attention the last couple of days: the 4th volume from the Brian Eno's "Ambient" works. The presence of more drone-like, dynamic songs; instead of the tranquil & repetitive melodies of previous works, such as "Discreet Music" and "Ambient 1: Music for Airports", makes this in my opinion the most outstanding work from the series.

Even though the overall sound of the album changes (from previous ones), there's still a lot of elements and characteristics of his early work. Most tracks might be more drone-ish,  but at the same time they preserve the mellow soundscape and the relaxed atmospheres that made some of his older albums classics of the genre.

Brian Eno - Ambient 4 Tracklist:

1. Lizard Point – 4:34
2. The Lost Day – 9:13
3. Tal Coat – 5:30
4. Shadow – 3:00
5. Lantern Marsh – 5:33
6. Unfamiliar Wind (Leeks Hills) – 5:23
7. A Clearing – 4:09
8. Dunwich Beach, Autumn, 1960 – 7:13

Nils Frahm - The Bells (2009)




Nils Frahms is a German pianist, prolific in both solo and group projects. Through his career he has been able to bring together the style of some old compossers, and the fresh sounds of modern ones.

In this album, the artist develops a particular sound characterized by mixing both low intensity-slow paced melodies, and intense and fast rhythm changes, creating a high number of diverse athmospheres.

All in all, this is a clear and well rounded album, where every song is up to the expectectation of the listener. Mellow and and exciting at the same time

Nils Frahms - The Bells Tracklist

1. In The Sky And On The Ground
2. I Would Like To Think
3. Said And Done
4. Dedication, Loyalty
5. Down Down
6. Over There, It's Raining
7. Small Me
8. My Things
9. Peter Is Dead In The Piano
10. It Was Really, Really Grey
11. Somewhere Nearby

DOWNLOAD HERE